© Jiyang Chen
Nacht
Program
-
Paul Dukas
Ariane et Barbe-Bleue – Overture
to Act 3
1907 -
Claude Debussy
Nuages und Fêtes aus
Trois Nocturnes
1900 -
Béla Bartók
Bluebeard’s Castle
Opera in one act, Op. 11, Sz 48
1911
Cast
-
Victoria Karkacheva
mezzo-soprano
-
Ryan McKinny
bassbaritone
-
Susanna Mälkki
conductor
Dates
Currently no concerts available.
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Pre-concert talk with Lydia Benecke
Prior to the concerts on Sunday and Monday, criminal psychologist Lydia Benecke will be a guest of the Gürzenich Orchestra. In conversation (starting 45 minutes before each concert), she will offer a psychological perspective on Béla Bartók’s opera Bluebeard’s Castle and discuss the fascination of the forbidden, secrets in relationships, and the question of why people are sometimes drawn precisely to what frightens them.
Dark and cold is the castle where Bluebeard takes his young wife Judith. With the power of love, she wants to unlock her husband’s mysterious past, bringing light into this darkness and bridging chasms. Questions, however, are forbidden, and seven locked doors guard secrets. Judith begins opening them, one by one… Darkness also reigns in the human soul. It harbours instincts, fears, dreams and nightmares. In his only opera, Bluebeard’s Castle, Béla Bartók enters the chambers of human subconsciousness. The well-known fairy-tale about the bloodthirsty Bluebeard, proverbial murderer of women, forms the plot for a gripping psychodrama that draws the audience in like a magical undertow. Innocence, inner destitution, speechlessness and the inevitability of fate’s cruelties: the chamber drama of Judith and Bluebeard paints a portrait of humanity caught between love, hope, desperation and death. An operatic thriller that requires no stage to unfold its suggestive, mesmerizing imagery.