Taneyev also turns his attention to the self-doubts that can beset a believer; with his opus 1 he created a fascinating work somewhere between orthodox rigour and polyphonic optimism.
Victor Ewald Quintet for two trumpets, French horn, trombone and tuba No. 1 op. 5 (1890) Francis Poulenc Sonata for French horn, trumpet and trombone (1922, rev. 1945) Anton Bruckner Aequale in
Felix Mendelssohn Bartholdy Sinfonia Nr. 1 C-Dur für Streichorchester (1821) Sinfonie Nr. 4 A-Dur »Italienische« (1833–34) Ferruccio Busoni »Romanza e Scherzoso« für Klavier und Orchester (1921) Arnold
Ludwig van Beethoven Overture from »Egmont« op. 84 (1809-10) Felix Mendelssohn Bartholdy Piano Concerto No. 1 in G minor (1830–31) Dmitrij Schostakowitsch Symphony No. 5 in D minor (1937) Alexander Melnikov
Niccolò Paganini Concerto for violin and orchestra No. 1 (1817–18) Franz Liszt 1st Mephisto Waltz (1859–62) Jacques Offenbach »Galop infernal« from »Orpheus in the Underworld« (1858) Ray Chen Violin Gürzenich-Orchester
